![]() There is one shot towards the middle of the movie. Any exploration of the universal perils of a system based on oppression is done through Cato (Alano Miller), a disfigured slave who, as assistant overseer, can be just as abusive as his white masters. The Movie Original Sin is the equivalent of filling a syringe with elephant tranquilizer and injecting it into your skull. Though Tom is given political ambitions and a little more empathy - he finally calls for Rosalee’s whipping to stop - the Macons serve mostly to embody the callous ability to see slaves as something other than fellow humans. Intentionally or not, Green and Pokaski show little interest in humanizing slave-owners. ![]() The same cannot be said of the plantation owners Tom (Reed Diamond) and particularly Suzanna Macon (Andrea Frankle) are awful to the 11th degree - she smirks into her lemonade while Rosalee is whipped in place of her little brother. He says, 'It's just not being afraid of our bodies, I guess. Though not the primary focus of “Underground,” they are nuanced characters with conflicting motives. Banderas, who is married to actress MELANIE GRIFFITH, and Jolie, wife of eccentric screen star BILLY BOB THORNTON, raise on-screen temperatures when they frolic together in a steamy love scene, but Banderas insists it was all just a part of the job. A Cuban coffee merchant's supposedly plain mail-order bride turns out to be a stunning-and duplicitous-seducttress. ![]() Not surprisingly given its subject matter, “Underground” is a sprawling tale, with characters that include a troubled but still brutal slave-catcher (yes, that is Christopher Meloni) and a young abolitionist couple (Jessica De Gouw and Marc Blucas) who want to do more than attend meetings and make speeches.
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